John, Tom and Patch share a moment with Eli
Tom, Patch, and John share a human arm for love and support
Tom and Patch on Henry's lap
Tasha Tudor's illustrations for The New England Butt'ry Shelf Cookbook and three other books with Mary Mason Campbell, all written and illustrated in the late 1960s/early 1970s, were among the reasons I longed for New England as a child, even while living there, but also the inspiration for why I wrote The Pantry-Its History and Modern Uses. Not only was The Butt'ry Shelf Cookbook my first real cookbook (and I have made many of the recipes in it--from Mary Mason Campbell's own New Hampshire and New England background--since I was ten years old), but it began a lifelong obsession with pantries. [Tudor's illustrations for My Brimful Book, another childhood classic of mine, were also evocative of New England summers with my grandparents.]
Imagine my surprise last weekend when my friend Cat was delighted to show us her recent book sale find (it pays to run one's library booksale!). It was a copy of The New England Butt'ry Shelf Almanac for 25 cents! These are still available, as are the three others in the Mary Mason Campbell/Tasha Tudor collaboration, on eBay or through second-hand bookstores, and are not only collectible but always much higher than Cat's bargain. As it is a book for which I had been keeping my eye out for her, I am delighted that she found her own copy. [I was as gleeful for her as I was when I found a first edition, from 1968, of The Butt'ry Shelf Cookbook, complete with dust jacket, on a used bookstore shelf for $3 a few years ago while writing The Pantry. Over the years I have picked up numerous copies of these Campbell/Tudor books and given them to friends--but never at that price!]
As an aside, Tasha Tudor was friendly with my grandparents when they moved to New Hampshire as she had been a neighbor of my grandfather's brother in Redding, Connecticut. She even drew a pencil drawing of a goose for their "Gray Goose Farm" sign, a landmark sign that has had several incarnations over the years. When our daughter was younger, we called Tudor's family in Vermont to see if we might meet her and bring some books to be signed. Also, I wanted to interview her, if at all possible, about her memories of my grandparents who, like her, were back-to-the-landers, although not to the same extremes. We were told, by her son, that we would be charged several hundred dollars (it is embarrassing now to say exactly how much) and that "everyone from New York was paying that" for their children. Well, I can understand wanting to limit access and be gatekeepers to an elderly mother who is likely besieged by fans but then to charge so much for a private audience? Why have them at all if not for the monetary rewards? Regardless, rest assured that we still have many of her books, all unsigned. [Image, above right, of Tasha Tudor with kindling, © Richard W. Brown, c. 1990]
The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy under a brilliant sky, when one is fairly stifled in vegetation, in the colour and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and grey as sheet iron...It was a kind of free-masonry, we said.
OK, well I'm a bit late with this information (sorry--busy, exciting week around here and on all fronts--yes, I'm still giddy--even three new puppies who, I forget, sleep like newborn babies when they're young as they are chattering as I write this at 12:15am) but I just had to announce that January 23 was National Pie Day, sponsored by the American Pie Council. Of course, I did not have time to bake--or make--a pie yesterday (which is still today for me as I'm still awake blogging this!) but such is the way of the world. (However, does going to the grocery store and buying two graham cracker crusts, whipped topping, and chocolate pudding mixes count?)
I am reminded when I think of pie of my dear friend "Peaches LaRue" and her amazing pie finesse. Not only does she have the required facile nature for making pie dough, but she can craft the perfect filling. As she's in the Witness Protection Program after a major Duncan Hines debacle, any further information would cause her distress. Although I will say that not only can she make a fine pie, one of the very best you've ever eaten in both crust and filling--and I have to say "one of the best" because there are other fine pie makers reading this blog, too, right Linda?--but she can also make a fine Cupcake. (In fact, she is one.) And, without giving too much away, her two pantries, perhaps my favorite in the book, were in The Pantry--Its History and Modern Uses.
Two summers ago (sigh, as New Hampshire summers are glorious and have always been a part of my lifetime nostalgia for the place--when I was in Akron all winter as a child and now based in Kentucky), Peaches hosted a "pie day" at my home in Hancock. Edie and I did well as her pupils and Linda even came along with a prize apron. It was a memorable event and her pie crust recipe and techniques are included on my blog from that day, A Perfect Pie Day.
I know, it's January 21st, well into the New Year. But today I feel it is more like the beginning of a new epoch. [More about that in my earlier blog today: The Day After] It is a liberating feeling. People seem more hopeful. I know, cliché and all of that. But even the die hard conservatives--even the cynics and the haters among us--have to acknowledge that yesterday's historic groundswell in our capital was a force of all of the good that is still left in our country and in humanity. [Some already have, at least on national television.] I was also glad to see the world acknowledged as largely a place for good and for peace and for a return of celebration and the arts to our nation's capital! Music, poetry, art, marching bands. "Bring in 'da noise, bring in 'da funk" [And I mean that in its full African American effulgence as well as for all of us who celebrate the arts and culture.]
Seeing the humble rural locations of the beginnings of Abraham Lincoln's life, the tiny cabin replica on the hill top site where was he was born and spent his first few years and Knob Creek farm further down the road, was like an affirmation and a benediction. Of course, the cabins are only "symbolic" of the originals and the encasement of his birthplace in a classical temple is, like so many of our national monuments, a bit over the top. But that's OK: we need reverence in our society and we need places to pay our respects and our homages. To be certain, our national leaders are complicated, mortal people, with many flaws and many attributes, just like the rest of us. Yet, there are times in our history where the times make the man, or woman, and when that person becomes symbolic of so much. This era in which we live, like the trials of our Civil War and the Great Depression and World War II, is one of those times. 

On the flip side of yesterday's cookie fiasco, I also brought a dish to the cookie bake to share with lunch (and later on at Bunco) that received rave reviews: Black Forest Ham Pinwheels from the recent Taste of Home Holidays issue. [And apparently, as the on-line version says, recycled from a Country Woman magazine by the same publisher.] I have to say that I've never gone wrong with a Taste of Home recipe.
